Sunday night was the 82nd Annual Academy Awards. And I wager that you could have a gun to your head and could not name one nominee or winner from the 81st Annual Academy Awards.
The Academy Awards is not a big event in regards to African-Americans and their contributions in cinema. This is business as usual for the Oscars.
Let's face it Spike Lee has about as much chance as being recognized by the Academy as R. Kelly has at babysitting the President and First Ladies' daughters.
The Academy is still dizzy from honoring, Halle Berry, Denzel Washington and Sidney Poitier in one year.
Talented winners aside, it is exhausting trying to equalize decades of invisibility.
This year, however, was different.
If you ever wondered what Tyler Perry and Oprah Winfrey's love child would look like, it is the spitting image of Precious, a small film with big, beautiful talented women, including Monique and new comer Gaboury Sidibe. Honorable mention to Mariah Carey minus glam, hair, wind machine and makeup.
It is so refreshing to see a film about a full size Black woman that is not really a Black man in drag (No offense Tyler). Although we did not see a double win Oscar night, Monique walked away with the Oscar for Best Supporting Actress in Precious.
I have already heard the rumblings of not another Oscar for African-Americans playing "negative" roles, did we not learn anything from The Color Purple debate. I have said this before the real challenge is to make sure more films are made that explore the rich and diverse landscape of African-American culture.
Lecture over, now back to the Oscars. Monique both visually and verbally paid homage to the first African-American woman to win an Oscar, Hattie McDaniel.
I have only read the book "Push", of which Precious was based upon and that was hard enough. I was concerned that due to the dark nature of the film that the lights would come up and I would be in the back of the theater, in the fetal position, crying and rocking myself like Sophia in The Color Purple. But I digress.
The real challenge is what do Sidibe and Monique do now?
Especially when Hollywood has created so few significant roles for African-American women, much less plus sized Black women.
And as much as I enjoy Divas in leather, remember Catwoman was Halle Berry's first role post Oscar.
If we want provocative roles, we have got to think outside the box.
So here are Professor Locs Top Five potential film roles for Monique and Sidibe:1.Gimme A Break: The Movie ( Monique updates the role of a sassy Black housekeeper who takes on the responsibility of raising three bratty, entitled, white girls and their disgruntled Father)
2. Sex in the Chocolate City (Monique along with a bevy of big, beautiful, Black women take on Washington DC and societies image of plus sized women celebrating their sexuality)
3. The Weather Girls: Life After Sylvester. ( Rupaul takes on his most challenging role out of drag, kind of, by playing the enigmatic cross-dressing Sylvester and his two beautiful and talented back up singers played by Monique and Sidibe).
4. Twilight: I Like Dark Meat (The story of a skinny white boy Vampire that literally bites off more than he can chew and gets turned out by Sidibe, a voluptuous, ebony goddess from the urban streets of Atlanta, GA).
5. Sister Act 3: Madea Finds Religion (Madea and Monique go under cover to save an orphanage in Fulton Co, GA. These Sisters run a daycare, catfish stand, salon and nail shop, all the while ministering music to a rag tag choir of young hood hopefuls, cameo by Whoopi Goldberg as Mother Mavis Superior).
Coming to a theater near you!
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